Forthcoming Westerns: November 2007

Update: Thanks to a tip from loyal reader and exellent writer Chap O'Keefe, I've added four Black Horse Westerns that will be released on November 30th--scroll down and take a look.

Also, my list of November releases doesn't include any Large Print editions, and there are several scheduled. I have chosen not to include them because they are difficult to find in bookstores and usually reprints of titles that have previously been released, but truthfully it is more that these lists take a surprising amount of time to compile, and the LP editions would make the process even longer. If there are publishers or writers who want to see a large print edition included on this list please send me an email before the 15th of each month and I will be happy to include it / them.

The western selection in October was terrific, and while November’s list isn’t quite as large, or as varied, it is still pretty darn good. We have a total of 24 novels coming out—they represent a mixture of new and old, and paperback and hardcover. There is also a large release—19 titles—of western audio books from Brilliance and Five Star. The bulk of the titles are the work of Max Brand, but the list also includes other classic western writers such as T.T. Flynn, Les Savage, Jr., T.V. Olsen, Lewis B. Patten, and several others.

I hope everyone has a wonderful Halloween, and I hope to see you at the bookstore.

October 30th

Bronc Man by Paul Bagdon
Dogs of the Captain by Max Brand
The Trail of Whitened Skulls by Tom W. Blackburn
Walk Proud, Stand Tall by Johnny D. Boggs

Synopsis of Johnny D. Boggs’ Walk Proud, Stand Tall:

“Back in his prime, Lin Garrett was a legend as a lawman. The story of how he captured outlaw Ollie Sinclair was a favorite in Arizona Territory. But Lin hung up his badge long ago and now spends his days at a county home for the aged. His days are peaceful—until he gets word Sinclair has formed a new gang and pulled off a daring train robbery. The local lawmen are at a loss, but Lin knows just how his old nemesis thinks. And he’s out to prove no matter how many years have passed, he can still take down his man.”

November 1st

The Argonauts of North Liberty by Bret Harte
The Spirit of the Border by Zane Grey

November 4th

.45-Caliber Deathtrap by Peter Brandvold
Ricochet by Thom Nicholson
The Trailsman: #313 Texas Timber War by Jon Sharpe

November 6th

Honor of the Mountain Man / Preacher’s Fortune by William W. Johnstone
The Town Called Fury: Judgement Day by William W. Johnstone
Smonk by Tom Franklin

November 13th

Ranger’s Law: A Lone Star Saga by Elmer Kelton

November 14th

Crucifixion River by Bill Pronzini and Marcia Muller

Man from Durango by Lauren Paine

Synopsis from Mike Blakely’s Come Sundown:

“Reluctant hero, Honore Greenwood, has a knack for embroiling himself in the most violen conflicts of the Southern Plains. Known as Plenty Man to the Comanches, Honore serves as ransom negotiator for captives among the Indians. As if his life wasn't in danger enough, Honore has offered his services to the New Mexico Volunteers in the Civil War. But as Honore's luck would have it, he's in the same unit as Luther Sheffield, a man whose grudge against Greenwood knows no boundaries, even though they are fighting on the same side.”

November 27th

Come Sundown by Mike Blakely
The Gunsmith: #312 Under a Turquoise Sky by J.R. Roberts
A Long and Winding Road by Win Blevins
Longarm: #349 Longarm and the Colorado Manhunt by Tabor EvansS
Slocum Giant: Slocum and the Celestial Bones by Jake Logan
Slocum: #346 Slocum’s Revenge Trail by Jake Logan

Synopsis of H.H. Cody’s Redemption in Inferno:

“Lew Faulds got himself talked into taking the job of deputy sheriff in the town of Blind Bend by his two-timing sweetheart. However, he had no idea the job would get him into so much trouble. A set of outlaws came to town and killed the sheriff. Then they put a hunk of lead into Lew's hand, figuring they'd crippled him. Scared, Lew ran, only to meet up with a stranger who helped him out. Now the pair went hunting the outlaws and caught up with them in the town of Inferno. Would they survive the showdown and would Lew regain his self respect?”

Black Horse Westerns

November 30th

The Bounty Killers by Owen G. Irons
Dead Man's Journey by Frank Roderus
Killer's Kingdom by Greg Mitchell
Peace at Any Price by Chap O'Keefe
Redemption in Inferno by H.H. Cody
Running Crooked by Corba Sunman

Audio Books from Brilliance and Five Star

November 28th

The Bells of San Fillipo by Max Brand

The Chains of Sarai Stone by Cynthia Hasselhoff
Deadly Pursuit by T.V. Olsen
Fire at Spider Rock by Les Savage, Jr.
In Alaska with Shipwreck Kelly by Dan Cushman
The Last Campaign by Tim Champlin
Night of the Comanche Moon by T.T. Flynn
Outlaws All by Max Brand
Ronicky Doone’s Reward by Max Brand
Ronicky Doone’s Treasure by Max Brand

Synopsis for Tim Champlin’s The Last Campaign:

“It's 1886 and General George Crook is holding a peace conference with the last wild band of Apache renegades and their chief, Geronimo. Will the Apaches really lay down their arms and go peacefully to Arizona? Everything seems to be going according to plan until Geronimo disappears into the night with a small band of warriors . . .”

Sixteen in Nome by Max Brand

Soldier in Buckskin by Ray Hogan

Speedy by Max Brand

Tears of the Heart by Lauran Paine

Timbal Gulch Trail by Max Brand

Tincup in the Storm Country by Lewis B. Patten

Trouble in Timberline by Max Brand

The White Chip by Nelson Nye

The White Wolf by Max Brand

Saddlebums Interview: Ed Gorman

Ed Gorman has been writing professionally since 1983, when St. Martin’s Press purchased his novel Rough Cut. Since then he has proven to be one of the most reliable and prolific writers—I use the word prolific in a positive sense—working. He has published novels in several different genres, including mystery, suspense, science fiction, horror, and western.

Mr. Gorman has been nominated for several writing awards, and he won the Spur Award in 1993 for his short story “The Face.” He has been called “the poet of dark suspense” by Bloomsbury Review, and “a master storyteller” by the Dallas Morning News. I have been an avid reader of his work for several years, and no matter what Ed Gorman chooses to write, you can count on one thing: it will be very entertaining.

He lives in Cedar Rapids, Iowa with his wife, writer Carol Gorman.

I have been reading your work—everything from westerns to mysteries to horror and science fiction, and I’m impressed with its overall diversity. My question, is there a specific genre you most prefer to work in?

Mystery and suspense, I suppose. But I’ve worked in horror and science fiction with great pleasure.

“I could never come close to finishing a novel until I met Max Allan Collins who gave me two great pieces of advice—look at each chapter as a story and never look back until you’ve finished the book.”

I want to talk a little about your publishing history, what is the first novel you published? Was it a long time coming, or did you hit print pretty quickly once you decided to write it?

I wrote a lot of stuff for men’s magazines in the Sixties and Seventies. I could never come close to finishing a novel until I met Max Allan Collins who gave me two great pieces of advice—look at each chapter as a story and never look back until you’ve finished the book. Then worry about revisions. I finished Rough Cut and shopped it around. Agents felt that the narrator was more psychotic than the villain. I sent it to St. Martin’s Press where it was fished out of slush and bought. This was 1983.

When did you decide you wanted to be a writer?

Probably around age eight. The nuns fed me Jack London and I discovered Ray Bradbury on my own. After reading those guys I never faltered in wanting to be a published writer.

It is my understanding that you have written several novels under house names, mostly in The Trailsman series. When you write under a house name do you approach it differently than your other work?

I do the best work I can on every project.

Most of your western fiction is non-traditional. You seem to use many of the same elements as one would find in a mystery novel. Your Noah Ford character from the Cavalry Man novels has more in common with a modern mystery protagonist than he does with the traditional western outsider. Is this an effort to move away from the traditional western, or simply expand the definition of what a western is? Do you think these novels would be more popular if they were marketed as a western mystery rather than a traditional western?

I think you have to find a special angle to sell crossover books. Steve Hockensmith with Holmes On The Range brought something fresh and exciting to the crossover and has been very successful for doing so.

Is there a book, or a few books, that you have written and are particularly proud of?

My favorites are The Autumn Dead, Blood Moon, The Night Remembers, and Cage of Night in suspense; Wolf Moon and Ghost Town in westerns.

Most writers are voracious readers, and I’m wondering what you read for pleasure?

On my nightstand presently I have the Collected Short Stories of William Faulkner, Ten Stories from Detective Aces pulp magazine, a history of the Homefront during World War Two and a huge volume of the original Jonah Hex comic book stories by Michael Fleischer.

“Mine is the last generation that really grew up on westerns. I saw them in the theaters and on television and I read them in comic books and paperbacks.”

Now I want to turn to the western genre specifically. What first led you to the genre?

Mine is the last generation that really grew up on westerns. I saw them in the theaters and on television and I read them in comic books and paperbacks. Writing them came naturally. I owe Bob Randisi a lot for first getting me published as a writer.

What are a few of the western writers who have most influenced your work?

Max Brand, Elmore Leonard, Loren D. Estleman, Clifton Adams, Dorothy Johnson would be a few of them.

If you could bring back the work of one western writer who would it be? Is there a specific title?

I’d bring back six or seven of the best Clifton Adams novels.

You also write mysteries, and it seems there has been—both historically as well as today—a significant amount of authors who do good work in both genres. Do you think there is a relationship between the mystery and the western that promotes this crossover, or is it simply the economics of professional writing?

Again, I think it’s generational. You don’t find many—or any that I can think of—of the Thirty-somethings writing westerns and mysteries today. Loren is the last of the breed. He’s in his Forties I think. And he’s one of the all-time best, too.

The mystery genre is thriving, but many believe the western is in decline. What do you think about the western genre today, and what do you think the future holds for the western story?

I’ve been asked this a couple of times. I wish I had some wisdom on the subject. But I don’t. To me cops replaced cowboys.

Okay, now lets get down to your current work. What is your latest novel?

My current novel is Fools Rush In. This is my take on how small town Iowa responded to the Civil Rights movement of the early Sixties. I have another novel called Doom Weapon, the last in my Cavalry Man series coming in paperback from HarperCollins. It’s probably out now though I haven’t seen a copy. In the spring I have a St. Martin’s novel called Sleeping Dogs, a political whodunit. I used to write speeches for congressman. Lots of anger in this book.

Can you tell us about the novel—or any other projects—you are working on now?

My next novel will be in the suspense realm. I never talk about work in progress.

I have one last question, and I must warn it is a little vague. If you could chose any project to work on, what would it be?

That’s a good question and you know, I have no idea. My best stuff seems to have just happened without much planning on my part. I wrote three or four novels that were part of a Big Plan to increase the size of my audience. I think they were adequate, one of them I like, but somehow they weren’t as much fun to do as the work that somehow seems to get done on its own.

Saddlebums Interview: Tim McGuire

Illinois-born and Texas-raised Tim McGuire has always had a fascination with history. He aptly translates it into his novels, action-filled yet character-centered stories that have earned him the accolades of Western greats such as Loren D. Estleman and Larry McMurtry.

Mr. McGuire presently resides in Grand Prairie Texas. His next novel, Texas Cowboys, is scheduled to release from Berkley in late 2009.

What led you to start writing in the Western genre?

As I've posted on my website and in other interviews, I am a product of the '60s where the Western was as common as the current "reality" shows. My mother loved Westerns and before cable TV, that's what was always in syndication. My father was a history buff, especially Civil War era, so I absorbed his love for the study and developed in my mind just what a character I would dream to be. That, and a lot of respect for history put together The Rainmaker. The character and subsequent plots developed into a series swirling around in my head.

You have written two series of books with regular characters: The Rainmaker novels and the Texas trilogy with Rance Cash. While the aforementioned Clay Cole, a.k.a. "The Rainmaker" is a rugged, tough, no-nonsense character, Cash's depiction is more lighthearted, him being a gambler rather than a gunslinger and his troubles often leading to comic situations. Was this shift from a gritty traditional Western novel to one that incorporates more humor a deliberate one?

I didn't want to create the same character and call him by a different name. In the Texas series, I started the storyline ten years earlier when the West was just a rumor to those in the East. Rance Cash is intended as a less than deadly serious fellow to follow with a bit of spicy behavior to his way. Les and Jody were meant as the focal point, but Rance was the one that kept you reading. I tried to think as a gambler must have thought in a game of cards and of life. He's not as cruel as those in accurate history, but I've tried to present him as a fortune seeker which is the prime motivation of most of those flowing west.

"I do believe that a well told story has a place for every interest"

Can you tell us more about the campaign to "Save The Rainmaker"?

I was trying to test the waters as it were to measure just what type of support I had to continue the series to the last four books. At current, I am still counting. It's understandable publishers measure success in copies sold. Although I have been pleasantly gratified with the personal responses I have received through my guestbook, more numbers are needed to the left of the decimal point to make publishers notice.

You have been described by Loren Estleman as a "traditional Western" writer. Do you agree with that assertion? Have you ever thought about trying your hand at other type of stories such as historical novels or even other genres?

Let me first say, Loren was incredibily generous with his praise. That said, I am a fan of a well told story and am actively seeking to expand into other genres. I am a particular fan of the thriller genre in which I have a few projects brewing. As a far as a lecture on history in novel form, I don't feel qualified to write that sort as a form of entertainment which a novel should be.

Many of your books include a blurb from Larry McMurtry that I think describes your novels perfectly: "Tim McGuire writes a good western, the story fast-paced, the characters vividly drawn." Was he referring to any particular novel of yours?

Mr. McMurtry was also very gracious to lend his name to my works and I have always sent him a copy of every book in which it appears. I am confident his comment is aimed at Danger Ridge, my first novel. How I am confident of that will remain between he and I.

What are your thoughts about the present state of the Western genre and what do you think the future holds for the Western story?

In regard to the present Western novel in printed novel form, I'm afraid to say that the future is not VERY bright, but there is hope. First, reading novels in general is a fading medium due to the lack of free time required. Reading takes time. Watching is much easier which is why the success of most novels is amplified by the parlay to film.

I do believe that a well told story has a place for every interest. Look at the upcoming films and the original printed works they are based on. However, I do feel there is a stigma to overcome. Most people that I have asked what they read respond that they read everything - except Westerns, which their grandfather/uncle/dad/or other older relative used to always read. When I ask what they like in a story, they respond intrigue, suspense, and a little romance. Younger readers appear attracted to fantasy, where their minds can wander.

The accurate truth is that the historical west was a fantasy to those whom observed it first hand. Imagine the landscapes of Western Montana or Southern Arizona seen for the first time. Describe that in detail, and then develop characters who resonate to the current reader and there is hope for the genre. I've been contacted by more than one person whom told me they seldom or never read a Western but felt compelled to tell me how much they enjoyed the story. See my guestbook and archive page.

Most writers are voracious readers and you are probably not the exception. What do you read for pleasure?

I must confess, I read mostly nonfiction for research. I seldom read fiction for two reasons. One, I don't want to be tempted to copy another style and, two, if I have time to read, I have time to write.

"Imagine the landscapes of Western Montana or Southern Arizona seen for the first time. Describe that in detail, and then develop characters who resonate to the current reader and there is hope for the genre"

Do you have any writing influences? How about influences in the Western genre?

I don't have a writer that I follow for the reasons above. I did greatly enjoy True Grit.

Are there any Western writers you would like to see back in print?

Most of those names are still in print. I'm not sure of the stories meantfor readers of the '30s, '40s, '50s, '60s will sell well in today's market.

Are you writing anything right now? Can you tell us more about any other projects you are currently involved with?

I have a few irons in the fire. I am presenting a continuation of the Clay Cole series. Also, I have project which continues the Texas series in the progress of the set timeline and may include a familiar character in his early years as well as a few famous names. Also, I have heard from the film world in California.

What is the greatest satisfaction of your writing career? Is there anything else you still feel you need to accomplish?

My greatest feeling of accomplishment is knowing my stories are well received from those whom I've heard from. As far as yet to accomplish, I want to get all the stories in my head onto a printed page, both comtemporary and historical, mystery, humor, raw life and poignant moments.

Scouting the Web

■ A group of Black Horse Westerns authors have partnered with other fellow Western scribes to unveil the new anthology Where Legends Ride, “14 new tales of hot lead, cold hearts, and more leather-slapping action, adventure and edge-of-the-seat danger that you could ever hope to find on either side of the Mississippi.” The book will be available from Lulu.com on Nov. 30. For more information, visit the Express Westerns website.

■ The nice fellows at Bookgasm have a number of items of interest to readers of this site. First is a fine review of a title chronicling the history of that goofiest of all Western film subgenres: the singing cowboy flicks. The book is Singing Cowboys by Douglas B. Green. Next is the always entertaining section Bullets, Broads, Blackmail & Bombs with a review of three so-called adult Westerns, including two early Longarm titles and one installment of its spin off series, Lone Star.

■ Speaking of adult Westerns… or is it porno Westerns as Richard S. Wheeler calls them in this interesting discussion he started at fellow Western scribe Ed Gorman’s blog? Check it out as authors like Bill Crider, Robert Randisi and James Reasoner weigh in on the subject.

■ Here’s an interesting post at Pulpetti on Western author H.A. DeRosso.

■ On NPR’s All Things Considered, writer Benjamin Percy dwells on the seminal Western, The Virginian. According to White, “[the novel’s author] Owen Wister, like some great and terrible Moses draped in leather and carrying a buffalo gun, taught me to re-examine what it meant to be a man.”

■ Pat Hawk, the author of several invaluable reference books on Westerns and other fiction genres, has launched a very timely website: Western Reference.com.

■ Western author Jim Griffin informs us that his latest novel, Big Bend Death Trap has been officially released.

■ Here’s an excellent site to watch classic Western films online: Rope and Wire. Just click on the titles. There’s plenty to choose from, including Ride Ranger Ride (1936) with Gene Autry and even a silent comedy starring Stan Laurel.

■ Russell Davis announces in his blog that he has just finished editing his second Western anthology for Kensigton, Ghost Towns of the American West, including stories from Elmer Kelton, Margaret Coel, Steve Hockensmith, Loren D. Estleman and many more. The book should be out in late spring, 2008 and if it is anything like his previous anthology, Lost Trails, we are in for an excellent read.

■ The name Francisco González Ledesma might not say much to readers in the English-speaking world and yet he is probably one of the most prolific Western writers ever. The author of literally hundreds of pulp Westerns under the colorful nom de plume Silver Kane, his novels were published and sold in Spain during the Gen. Francisco Franco years as well as distributed all over Latin America.

Many of his titles are still in print, including his first novel, Sombras Viejas (Old Shadows), a mystery that earned him a prestigious literary award, accolades from authors like W. Somerset Maugham and censorship from the Franco regime given its allegedly “pornographic, subversive and red (ie. communist)” contents. Given the governmental suppression of his work, González Ledesma resorted to write pseudonymous Westerns, one of the few viable means of subsistence for a professional author during the lean dictatorship years. Thus emerged one of Spanish pulp fiction's best scribes.

Sombras Viejas, which was first published in 1948, has been just reissued in Spain and comes as a belated homage to González Ledesma's legacy. To read more, click here (the link is in Spanish).

■ This is only tangentially related to this blog, but what the heck. This clip, retrieved from The New York Times’ book blog Papercuts, brings us Dean Martin, Truman Capote, James Stewart and Jack Benny as they answer the question: What’s Your Favorite Country Song?

Saddlebums Review: The Outcast by Luke Cypher

Thomas Cade is a young man without a home. His father sent him away when he was seventeen to avoid a feud with another family in the hill country of Tennessee, and as the novel opens we find Cade working as a hunter for the railroad. When he finds a critically wounded man on the prairie his life changes forever. The man’s name is Sam Killian, and he is a sometime lawman, and sometime gun for hire.

Tom nurses Killian back to health, and in return Killian teaches Cade the trade. He tutors him how to use a pistol, how to judge a man, and how to get himself in and out of fights. They partner up until they settle in the booming town of Walker, Kansas where Thomas Cade finds everything he expects, and whole lot more.

The Outcast is a traditional western. The characters are everything we expect: tough, sensible, mean and—at least in the case of the protagonist—fair, and honorable. There is plenty of gunplay, and the town of Walker is populated with the good and bad of any small town. The businessmen are getting rich off the cattle herds coming north to the railroad. The trail herd cowboys come to town looking for fun, but usually find trouble, there are cardsharps eyeing an easy game, and the townspeople just want a quiet place to raise their children.

I had a difficult time reviewing The Outcast, because it represents the best and worst of the genre all in one package. There were moments when I loved it, but there were also moments when I didn’t even like it. Thomas Cade is an interesting character, but his stoic, dour personality felt oppressive at times. He seemed more alive and real when certain characters—Sam Killian for one—crossed the stage, but none of them stuck around long enough to keep him there. There were two brief sections of the novel that I thought nothing would ever happen again. There was too much dialogue and not nearly enough action. These were the bad points, but there were also good points.

The opening chapter is one of the most well written segments I have read in a western. The scene is so powerful and alive that I could nearly hear the rustle of wind through cornfields; the rough jingle of a cowbell, and feel the oppressive, wet heat of a Tennessee summer. The action, throughout the novel, was well rendered, and the characters were drawn nicely. If the plot had been just a bit tighter The Outlaw would be a serious contender for my list of westerns to remember.

There is good news. The Outcast is advertised as the “first in a new series,” and it felt like the back-story to something really terrific. We saw Thomas Cade grow from a boy to a man. He learned to shoot like a pistoleer, and back a man down without ever touching his gun. While my recommendation for this novel is lukewarm at best, I have hope the second will be a better piece of work.

An additional note: Luke Cypher is a pseudonym for Randy Eickhoff, the author of the Western Heritage winning novel And Not to Yield. The second novel in the series, The Outcast: Red Mesa, is scheduled for release in March 2008.

Saddlebums Review: Vengeance Valley by Richard S. Wheeler

This is a review that appeared on Gravetapping in May of 2006—it is less review and more rant, but Vengeance Valley is a quiet, entertaining, and above average western that anyone should enjoy. It is the type of storytelling that should add readers to the genre and focus the attention of critics less on the old traditions of the western novel and more on what the modern western story can be. If you can find a copy, I recommend Vengeance Valley to everyone.

I read a western a few months ago titled Vengeance Valley by Richard Wheeler. It is a mining camp story about a prospector named Hard Luck Yancey. It is a quiet story of perseverance, love and ultimately triumph. It won the 2005 Western Writer’s of America Spur Award for best paperback original.

And no one read it! The sales numbers were terrible, which got me to thinking—and on this subject I am less than original and far from expert—about why such a sweet and charming novel would do so poorly.

First let’s start with the title: Vengeance Valley. This is an obvious throwback to the heyday of the western. Those old Ace Doubles, Gold Medal and Signet originals (all of which I love) that portrayed the west as a palace of helpless women, bad men and loner heroes. Unfortunately in this case the title is so misleading that if that were the type of book you wanted, you would be angry that it never took shape. There is no valley in the story—the town of Yancey, where the novel is set, is literally on the side of steep mountain ridge. And as for vengeance? Nope. None. Maybe there is a touch of poetic justice when Hard Luck Yancey earns back his mine, wins the girl and saves the town, but not much in the way of six-gun vengeance here.

Now the cover. There is a duded-up gunman with six-shooters in hand getting ready to exact a bit of vigilante justice on the bad guys. When I got about halfway through this novel it dawned on me that I had yet read about a gun—any gun, let alone a six-shooter—so in fun I made a count of just how many firearms showed-up in the telling of this story, and there was exactly one: A shotgun that was pointed, but never fired.

The publisher (in this case Pinnacle) marketed this book for failure. It narrowed the audience to a group of about five guys in Arkansas (Bill Clinton not among them) by the title and cover art, when it easily could have found a much wider audience. There is much in Vengenace Valley to admire: there is a tender and beautiful love story; a very basic good versus evil strain; great characters; greed and innocence. This is a novel that could easily be enjoyed by both men and women, so why is it marketed as an action novel for men?

Why do the major publishing houses insist on marketing westerns like it is still 1955? Vengeance Valley is but one example of how publishers are active participants in the decline of the genre through incompetence, neglect, or outright literary snobbery. I guess the old saying is true: You truly can’t judge a book by its cover. Maybe those romance novels with bare-chested Fabios aren’t so bad either—well, maybe?

Saddlebums Review: Peace at Any Price by Chap O'Keefe

Jim Hunter and Matt Harrison are best friends and the owners of the once-thriving Double H ranch in Trinity Creek, Texas. Their cowpunchers have heeded the call of the Civil War and now they are trying to keep the enterprise afloat in lean times. It does not help that the Double H’s cattle is a frequent target for rustlers and that the sole remaining member of their crew is disabled Mexican-American War veteran Walter Burridge.

When the raiders take their pillaging a step further and burn the ranch to the ground, killing Old Walt in the process, the partners have no option but to leave the area and look for a job in the nearby port city of Brownsville. Matt and Jim soon realize that the war has also exerted its toll on the once-busy border town as work is hard to come by. Matt, a Union sympathizer, joins the Northern Army while the pro-Confederacy Jim chooses to stick around. He soon hooks up with the sensuous Lena-Marie Baptiste and her brother Raoul whom, among other business ventures, smuggle guns for the southern forces.

Peace at Any Price by Chap O’Keefe is the quintessential action-packed Western and as such it seems to fit right in with the rest of the Black Horse Western (BHW) line. Sparsely written and at times frantically-paced, it introduces the characters with a few broad strokes and then wastes no time in pitting them against all sorts of challenges. Jim returns from the war but the Double H and Trinity Creek no longer feel like home, not in the least because his former darling Alice Cornhill has married someone else in the interim. Fate leads him right back to the Baptistes, their dubious business concerns and a face-to-face encounter with the ruthless Woodson Waldrop, the man he suspects burnt down the Double H.

In this age of bloated techno-thrillers and three-page chapters designed not to upset MTV-addled attention spans, Peace at Any Price is a refreshing story that delivers genuine, non-stop entertainment. Its rhythm might play against itself at times and perhaps the climactic ending – involving a mandatory shootout, a damsel in distress and a catastrophic natural disaster – could have been resolved in less haste. Nonetheless, this is a highly recommended yarn that can only lead the Western reader to ask himself why BHW titles are for the most unavailable in the American market. Published since 1986 by Robert Hale Ltd. with a packaging and glossy covers that are almost as attractive as their action-oriented storylines, this is a line that provides a venue for many authors that are not only talented and passionate about Westerns, but well worth the effort to track down.